Almost all of comradekingu's logo versions have one thing in common: I don't like them, I don't see the cube in them, I can't read them and I end up searching for the hidden Hakenkreuz all the time.
PMfromMe said:
You bringing up nazi insignia in a thread about my cultural herritage is, along with all the things you mention having in common with yourself, not something i want in my thread.
There are many things hidden in my designs, keep looking, and know what you bring out of it, is no greater than your efforts into looking at it with an open mind.
Keep it constructive, and lead by example. Please edit the post to make it something you would want to read, something that furthers the discussion, or at the very least something i can have use for.
Edit: The last one isn't meant to be an insult, it's just what my mind does when I see the logo, it's very subjective and there is almost no way I can know why (i.e. give information on what would need to be changed to remove that association) - my best guess is that it has something to do with the design being so pointy and angular which I dislike no matter the other associations, it just seems aggressive and unpleasant to me. From there it's not far anymore to Hakenkreuzes which share those associations.
And even without my instinctive dislike of the design, it still looks like a tangled mess to me. It doesn't say anything even if I know what it's supposed to say. It's okay if the message isn't clear to people who don't know it, but if even people who know the message exactly have a hard time figuring out what part is supposed to be what then that crosses the line; it stops being a sophisticated design and starts being a meaningless mess.
That made your post comprehensible to me, thank you. I would argue that readability, and latin letters, are arbritrary to making a visual logo a non-meaningless mess. As that isnt paramount to me in making them, you are very free to judge the outcome, but i feel you arent giving it a chance based on its own merits and rather interpreting outside of its scope. The destinction between sophisticated design, and something that reads first and foremost is mutually exclusive i think. At least it places too many variables outside of my control, and you end up halfway between good font for readability and good design. Which is why dare i say the majority of logos use helvetica or a common non serif font next to something visual. If you read what i wrote earlier you will understand why the process is what it is.
Note that I didn't write "there is a Hakenkreuz in there" but "I always end up searching for one", which is a difference. There is no exact Hakenkreuz in it. It just reminds of them. comradekingu's reaction (in a pm - not going to quote it in this case) shows that he himself is aware of the connection - it's based on the same thing the Hakenkreuz is based on. That's no Nazi thing, they just stole it from other people. But sadly that doesn't matter - it will now be associated with Nazis forever.
But even apart from all abstract associations it's still bad!
A logo should be instantly recognisable. If there are also hidden messages then that's just a bonus, it can't be the only thing.
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You didnt write one, as in "a" insignia, you wrote "the" initially, and then went on to say I made that connection in a PM, with a fine line of not diving your sentence you imply i based my design upon your interpretation of my logo, based on what you, the singular form, see, and claim the sole interpretation of. The very definition of abstract is reading into it what isnt factually there, that is what you are doing. If im alluring to something its that you dont seem to get the point here. Which is fine, just dont tell others what to think, much like i wont give it away.
How would this logo not be instantly recognizable? I don't know of anything I could confuse this with.
-God Ginrai
It's a hexagon filled with lots of lines. That's what you see at the first glance. Show someone (with no previous knownledge, the person doesn't even know the console's name is Pyra) a Pyra prototype (with the logo on the lid), let them examine it properly. Then take the Pyra away and give them 5 hexagons filled with lines and ask them which is the logo.
With a good logo, any variation which changes any of it's meaning instantly makes it a very different logo. With this you can switch the internals around however you want and you still get the same first impression.
Edit:
It's not the Pyra's task to rehabilitate culture overshadowed by Nazis with the risk of being associated with Nazis itself. It's task is to be a free gaming mini netbook.
It's not about rehabilitating people, but about not being fearful of using similar imagery.
Nowhere I was writing about people. I was talking about culture.
Your view seems to be rooted in that your first impression is stronger than any given content. I dont understand what is different from what we know now to what you present people with in your hypotetical research. I dont know what you see, but the information i put in isnt abstract, which in turn is important to the image as a whole.
What you call culture is very foregin to what I call my own, it is also very much newer, and seems to be, as was pointed out, based on fear.